About
DOM Art Residence operates as a nomadic art residency, uniquely unattached to any single location, which reflects the transient nature of today’s socio-political environment. This model not only fosters creativity but also enables the residency to meet new audiences and explore various cultural contexts each session. Typically running once or twice a year for a one-month period, the program invites 12 artists to participate in a project-oriented format which culminates in a final exhibition showcasing the artists' work. Each session is themed to encourage artists to engage with relevant and provocative topics, for the 2024 session in Spain, the theme is "scenarios of the future". DOM supports artists by covering accommodation, travel expenses, and the cost of production materials, thus removing financial barriers and fostering an environment purely focused on creative exploration. The selection process for participants is twofold: partially by invitation and partially through an open call, which encourages a diverse mix of artists. DOM values communication and expects artists to engage with the local public through various cultural and educational programs that run concurrently with their studio work. This interaction enriches the residency experience, providing both artists and the public with valuable insights and exchanges.
Disciplines
Professional Opportunities
Rating Breakdown
Reviews(2)
I need to be clear that this review refers specifically to the Open Call for their "Personal Structures 2026" programme. Basically, it's a hybrid residency; you stay where you are and link your studio to a space in Venice during the Biennale in 2026. At the end of the "residency", you go to Venice and show your work. Here's the catch: you pay for your trip. You pay for the shipment of your work. AND, to top it all off - ONE of the works remains the property of DOM. Yep, that's right. Oh, they do generously put you up in a hotel for three nights at their expense. (Overall, it reminded me a bit of the ITSLIQUID style of artist exploitation, and I told them as much.) I decided NOT to pursue this "opportunity" further, but at the same time I felt I needed to leave a review here as a heads-up to other artists who hear/read "Venice Biennale" and lose their proverbial sh*t. Nothing annoys me more than these business models that hinge on the exploitation of artists. (Please note: if the review system requires me to rate areas I have not experienced, I will rate them "3". But i CAN speak to their support.)
They keep representing my work after the residency in art fairs, exhibitions, online... It has been a great experience.