Reviewed by Artists
Kaohsiung, Taiwan

City Guide

Kaohsiung, Taiwan

How to plug into Kaohsiung’s industrial waterfront, heritage sites, and residency scene as an artist

Why artists choose Kaohsiung

Kaohsiung is Taiwan’s southern port city, and it feels built for artists who like space, infrastructure, and contact with everyday life. Think working harbors, rail lines, old warehouses, and sugar refineries turned into cultural sites.

Compared with Taipei, Kaohsiung usually offers:

  • Lower living costs and easier access to larger spaces
  • Industrial and maritime landscapes that are naturally suited to installation and site-specific work
  • Public-heavy venues, especially around Pier-2, where your work meets a broad audience, not just art insiders
  • A slower, southern pace that supports long-form, research-driven projects

The city tends to suit:

  • Contemporary visual artists
  • Installation and sculpture artists
  • Performance and interdisciplinary practices
  • Socially engaged and research-based artists
  • Artists working with port ecologies, labor histories, and urban change

Key artist residencies in Kaohsiung

Pier-2 Art Center Artist-in-Residence Program (PAIR)

Location: C9 Warehouses, Dayi Area, Pier-2 Art Center, central Kaohsiung
Best for: Contemporary practices, collectives, installation, performance, research-driven projects, and public engagement

PAIR sits inside Kaohsiung’s waterfront Pier-2 Art Center, a major arts district built from old port warehouses. The residency is intentionally site-responsive: you are expected to work with Kaohsiung as material, not just use the space as a neutral studio.

Program descriptions highlight that your proposal should connect with:

  • Local culture and everyday life
  • Geographic and port environment
  • Cultural landscapes and architectural heritage
  • Social conditions and urban shifts

All forms of artistic expression are generally welcome, as long as the project can engage with context and be presented publicly at the end.

What PAIR offers

Details can shift slightly each cycle, but you can usually expect:

  • Studio and living space in Pier-2’s Dayi Warehouse zone
  • About 33 m² per studio with an integrated bathroom and a small attic or loft area for living
  • A shared lounge used for cooking, dining, meetings, workshops, and informal exchange
  • Exhibition or presentation at the end of the residency (solo, group, or open-studio format)
  • Round-trip travel support (economy-class flights for overseas artists, high-speed rail for domestic artists, based on recent calls)
  • Program support from PAIR staff and access to the broader Pier-2 ecosystem

Some calls also mention living or production support; always read the most recent guidelines on the official site.

Residency structure and expectations

  • Eligibility: artists and artistic groups of any nationality, usually with at least two years of art-making experience
  • Length: often around 60–85 days, with a minimum stay of about two months
  • Outcome: a public presentation or exhibition at Pier-2

PAIR actively encourages work-in-progress sharing. Open studios are common, and the district has strong daily foot traffic, which can be great if you like feedback and public interaction.

For current calls and details, use the official page at Pier-2 Art Center Artist-in-Residence Program (PAIR) and listing platforms such as TransArtists or On the Move.

Why PAIR is significant in Kaohsiung

  • Visibility: you are embedded in one of southern Taiwan’s main cultural hubs
  • Public reach: work is exposed to families, tourists, local communities, and art audiences
  • Infrastructure: consistent programming, technical support, and institutional partners nearby
  • Networking: visiting curators, educators, and other residents come through regularly

Kio-A-Thau Sugar Refinery Artist Village

Location: Qiaotou District, northern Kaohsiung
Best for: Artists drawn to industrial heritage, slower studio time, and community-oriented projects

Kio-A-Thau Sugar Refinery is a former sugar plant established in 1901, known as one of Taiwan’s first modern industrial sites. Local NGOs and artists transformed it into a cultural and artist village in the early 2000s, and it has developed into a residency and event space.

Compared with Pier-2, it is quieter, more contained, and strongly rooted in a single heritage complex. The atmosphere suits artists who like to work with history, architecture, and local community at a gentler pace.

Facilities and capacity at Kio-A-Thau

  • Up to 6 residents at a time
  • Large studio options such as Wood 3 (around 400 m²) and N214 (around 100 m²)
  • Additional private studio spaces for individual practice
  • On-site accommodations provided as part of the residency
  • Seasonal programs and themed events connected to the site and community

The scale of the studios can be generous, especially if you work in installation, performance, or large objects. The trade-off is a more peripheral location compared with central Kaohsiung, but transit links are workable.

You can find updated details through Taiwan’s arts residency network at artres.moc.gov.tw by searching for “Kio-A-Thau Sugar Refinery Artist Village.”

Which Kaohsiung residency fits you?

  • Choose PAIR if you need high visibility, thrive on public interaction, or want your project to live inside a busy cultural district.
  • Choose Kio-A-Thau if you want a slower, more introspective environment, or your work is deeply connected to industrial heritage and site-specific research.

Both can also act as a base for wider Taiwan research, especially if you plan to connect with other cities like Tainan or Taipei during or after your stay.

Living and working in Kaohsiung as an artist

Cost of living basics

Kaohsiung generally stays more affordable than Taipei, especially for housing and everyday expenses. Rough monthly ranges for a solo artist:

  • Shared housing / budget room: around NT$8,000–15,000
  • Small studio apartment: around NT$12,000–25,000+
  • Local meals: NT$80–150 at street stalls or basic eateries
  • Cafés / sit-down spots: higher, especially in central districts
  • Public transport: generally low compared with many global cities

If your residency covers housing, your main costs will likely be:

  • Food and daily supplies
  • Local transport
  • Materials and production
  • Documentation and shipping

Neighborhoods artists tend to use

Even if you stay in residency housing, it helps to understand the city layout:

  • Dayi / Pier-2 area: Right around the art center: waterfront warehouses, public art, and constant events. Great if you want immediate immersion in the art scene.
  • Yancheng District: Older urban streets with cafés, small shops, and mixed residential–commercial life. Close to Pier-2 but with more everyday texture.
  • Qiaotou: Northern Kaohsiung, where Kio-A-Thau Sugar Refinery is located. Quieter, with strong industrial-heritage character and smaller-town feeling.
  • Gushan District: Combines residential neighborhoods, waterfront access, and proximity to cultural spaces and schools. Solid base if you want both city and nature nearby.
  • Zuoying / HSR area: Around the high-speed rail station and major transport nodes, useful if you expect to travel often across Taiwan.

Studios, venues, and where art actually happens

Kaohsiung’s art ecosystem leans toward public spaces, institutions, and repurposed industrial sites more than tightly packed commercial galleries.

  • Pier-2 Art Center: The flagship area, with warehouses, exhibition halls, outdoor installations, open studios, festivals, and regular events. If your residency is at PAIR, this is your backyard.
  • Kaohsiung Fine Arts Museum: Major institution for contemporary Taiwanese and regional art, with curated shows, education programs, and potential curator contacts.
  • Kio-A-Thau Sugar Refinery Artist Village: A working heritage complex where studios, performances, and community activities coexist with old industrial structures.
  • Smaller spaces: University galleries, nonprofit art spaces, and occasional warehouse or neighborhood pop-ups, especially in Yancheng and Gushan, can offer extra exhibition or collaboration opportunities.

Commercial galleries exist but are fewer than in Taipei, so Kaohsiung is often better used as a place for experimentation, research, and public-oriented projects rather than purely market-focused work.

Logistics: transport, visas, timing, and how to find calls

Getting in and around

Arriving:

  • Kaohsiung International Airport (KHH): handles regional and some international flights and connects quickly to MRT lines.
  • Taiwan High Speed Rail (THSR): links Kaohsiung with Taipei and cities in between, which is useful if you plan to visit other residencies or galleries during your stay.

Within the city:

  • MRT and buses: generally efficient; Pier-2 and main districts are easy to reach.
  • YouBike bike sharing: helpful for short hops between studios, cafés, and train stations.
  • Taxis and ride-hailing: useful late at night or when moving materials.

If you work large-scale, talk to your host about:

  • Loading access and storage
  • Ceiling height and door widths
  • Options for renting tools or hiring install support
  • Receiving and sending crates or materials

Visa basics for residencies

Visa conditions depend on your nationality, residency length, and whether you receive payment, so always check with the Taiwan representative office where you live. Common situations for short-term residencies include:

  • Visa-free entry for eligible passports staying under a certain number of days
  • Visitor visas for longer or more formal stays

Points to clarify with your host and consulate:

  • Whether the residency is framed as cultural exchange, non-employment activity, or something else
  • If stipends or honoraria trigger different visa or tax rules
  • What documentation (invitation letters, contracts) you need to show

Make sure your residency timeline fits within your allowed stay, especially if you want to travel before or after the program.

When to be in Kaohsiung

Kaohsiung is warm year-round. For studio and outdoor work, many artists prefer:

  • Autumn and winter: generally more comfortable temperatures and humidity for fieldwork, performances, and installation.
  • Spring: also workable, with moderate weather.
  • Summer: hot and humid with potential typhoons, so you need backup plans for outdoor projects and transport of works.

Finding and tracking Kaohsiung calls

Kaohsiung residencies are part of a wider Taiwan ecosystem, so you will often find them alongside other city programs. Useful sources:

When you see a call that mentions Kaohsiung, look for how clearly it connects to:

  • Local urban or heritage context
  • Public engagement or community work
  • Final presentations or open studios

Those factors usually shape how your project will actually live in the city.

Preparing a Kaohsiung-specific proposal

To stand out for Kaohsiung residencies:

  • Show that you understand Kaohsiung’s port and industrial history or current social dynamics.
  • Propose a realistic plan for engaging local audiences, not just art professionals.
  • Explain how your methods suit the kind of spaces offered: warehouses, large studios, outdoor areas.
  • Include a simple installation and production plan, especially for large work.

Kaohsiung rewards artists who are curious about the city itself and willing to let it shape the project, not just host it.